In 1964 Susan Sontag, an American writer and intellectual, wrote an essay called “Notes on Camp” in which she defined Camp as a particular sensibility, “a variant to sophistication but hardly identical with it”. Sontag went on by saying that Camp finds its roots in the unconditional love for artifice, exaggeration, esoterism, rather than being an idea, an articulate thought process. In 2019, Costume Institute of Metropolitan Museum of New York tried to celebrate this spirit.

Nel 1964 Susan Sontag in un suo saggio intitolato “Notes on Camp” definiva questo genere come una particolare sensibilità, un’alternativa alla sofisticatezza ma difficilmente identica a quest’ultima. Sontag continuava dicendo che il Camp più che essere un’idea, un concetto troppo pensato, trova una sua classificazione nell’amore per tutto ciò che è puro artificio, esagerazione, esoterismo. Nel 2019, il Costume Institute del Metropolitan Museum di New York ha tentato di celebr

Fieramilanocity will expose some of Francesco Scognamiglio’s creations in occasion of Si Sposaitalia Collections 2019, starting from the 5th to the 8th of April. The exhibition, Icons, Unique creations for exclusive women will display some of Neapolitan designer’s iconic dresses, wore by international celebrities such as Beyoncé, Madonna, Rihanna, Lady Gaga, Nicole Kidman and many others. Francesco Scognamiglio Beyonce VMAs Dress - ph Jamie McCarthy/Getty These clothes, chara

Milan Fashion Week was completed with a gleaming event, drawing closer attention to sustainability and environmental awareness. Milan has been trotting behind other fashion capitals, with its shortage of innovation and distinct lack of nurture towards young talents. It is only safe to say that the GCFA can become a caterpillar to drawing further attention to the Italian fashion sector. Held at Milan’s very much celebrated La Scala Theatre, the event boasted with international